The Edge

Devil’s Courthouse on the Blue Ridge Parkway, August 2012 (Panasonic Lumix)

When I saw that “Edge” was the assignment for Photography 101, it was only a matter of time before I started thinking about  The Edge. No, I’m not referring to U2’s guitarist. I have a strange fondness for the 1997 adventure film The Edge, which features Anthony Hopkins, Alec Baldwin, Elle Macpherson, and an actor named Harold Perrineau, whom I know as “Michael” in the television show Lost.

Bear with me if you have seen this movie (and forgive the pun). Since some readers might not have watched The Edge, I’ll try to minimize the spoilers. This rather grisly movie (last pun, I promise) takes place in the Alaskan wilderness, where a plane crash strands a bookish billionaire, Charles (Hopkins), and two photographers, Bob (Baldwin) and Stephen (Perrineau). Making a bad situation worse, Charles suspects that Bob has been fooling around with his wife (Macpherson), and a Kodiak bear begins to track them. The Edge is an intense viewing experience, with enough violence, gore, and language to earn it an “R” rating — not usually the cup of tea that this Janeite sips; in fact, I have to cover my eyes or fast-forward in a couple of places.

I Iike The Edge for two reasons: 1) its revenge-of-the-nerd plot; 2) its inclusion of one of my favorite lines in a movie: “They die of shame.” Throw in a script by David Mamet and an excellent cast, and there you have it: a movie that will not only keep you on the edge of your seat but may lodge this dialogue in your brain permanently (that’s what happened to me):

Charles Morse: You know, I once read an interesting book which said that, uh, most people lost in the wilds, they, they die of shame.

Stephen: What?

Charles Morse: Yeah, see, they die of shame. “What did I do wrong? How could I have gotten myself into this?” And so they sit there and they… die. Because they didn’t do the one thing that would save their lives.

Robert Green: And what is that, Charles?

Charles Morse: Thinking.

As someone who over-analyzes every decision and agonizes over past decisions, I seized on Charles’ quote as wisdom that applies to many situations, not only to occasions that find us literally on the edge of society and survival. No matter how much I may justify my actions later, I blow it — not from time to time but every day. Sometimes the consequences of my mistakes are minor, and sometimes they are enormous. Sure, I should learn from past mistakes, but nothing good will come of permitting myself to be paralyzed by the awareness of my own incompetence.

Edge of the Parking Garage, December 2014 (iPhone 5s)

If I’m running late to an appointment or event, will it help if I “die of shame” on the way, castigating myself for the series of poor choices that led to my being late? It will not. Nor will wasting the first five minutes after I arrive by over-apologizing. Human frailty is a redundant phrase: as Alexander Pope wrote in An Essay on Criticism, “To err is human, to forgive divine.” Should we hold ourselves to a high standard in our daily actions? Yes. Should we “forgive” ourselves when we stumble and slide along that straight and narrow path? If we don’t, then we may do more damage — not only to ourselves but to those around us.

In the unlikely event that my college kids happen to be reading this, please don’t “die of shame” at the end of the academic semester. In The Edge, Charles implies that thinking would have saved the lives of the people lost in the wilderness. Not necessarily, but assessing the remaining options, now that the door has been irrevocably closed on better options, is the only way out of any bad situation. (Says the woman who can’t seem to schedule her mornings productively.) So study on! Find a study group, limit your internet time, go visit the professor — but don’t die of shame.

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Not having gone on any Alaskan adventures recently, I have no edgy photos of charging grizzlies to illustrate my post. I had hoped for a return trip to the Devil’s Courthouse on the Blue Ridge Parkway, where I remember the sensation of being on the edge of the world.  I had to content myself with the edges that I found in a local park and in a local parking garage (above). Adding a black-and-white filter brought out edges and textures in some photos.

Twisted Tree

Tiny Tunnel

Bridge and branches

Grey and Green

End of the Road

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Text and photos copyrighted 2014 by Sandra Fleming. Please do not reproduce them without her permission.

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