Purveyor of Beauty

img_8740As I circled beautiful little Lake Tomahawk for the third time (four times around is approximately 2 miles, I’ve learned), I paused yet again to snap a picture of the gorgeous red leaves against the blue sky.img_8743 Simg_8754ure, the picture-taking limited the effectiveness of the exercise, but who cares? Given the glory of the scene before me, how could I not take a picture? How could I not try to share the rich colors of the fall foliage, the smell of sun on pine straw, the glimmer of light on the water?

“Are you a camera person?” asked a friendly man who watched me interrupt my walk to clumsily frame a scene. I said yes, but, really, I’m not much of a photographer, and my iPhone 5s is showing its age. What I am, I decided, is a purveyor of beauty.

I liked the sound of that phrase–“purveyor of beauty” –but later, seated at the coffee shop with my café au lait (I liked the sound of that phrase, too), I looked up the meaning of “purveyor,” just to be on the safe side. What a blow: “purveyor” didn’t mean what I thought it did! I had confused “purveyor” with “surveyor”–someone who takes stock of the situation or assesses the value of something. “Purveyor” actually means someone who is endeavoring to sell or trade something: it can also mean someone who is trying to promote a view or idea. Reveling in my felix culpa, I realized that the real meaning of “purveyor” fit much better.

After all, if I wanted to soak up the beauty for myself, would there be a need for picture-taking? Maybe: I don’t trust mere memory to capture experiences. Memory is fickle and tricks me up with dates or blurs similar experiences. How many falls have I lived through now? How many achingly beautiful autumn scenes have I tried to pin down with camera, verse, prose?

So I suppose I am taking the pictures to remind myself of what a wonderful walk I had, smiling pleasantly at the other folks doggedly rounding the lake along with me, some with dogs in tow. But, even more, I want to share the beauty with you, dear reader–with you, who couldn’t be with me to watch the ducks dabbling in the water near the bridge; with you, who couldn’t count the peaks of the Seven Sisters off to the right.img_8744img_8751

Because beauty kept to myself feels like hiding a joyful secret from someone. Beauty shared is so much better, especially if the other person gets as excited about trees turning from pale-green to vivid yellow as I do. Strangely, though, I kind of like my morning walks alone (alone, with a dozen other people out for their morning constitutionals). If I’m walking with someone, I’m talking or listening. If I’m walking alone, I can let my thoughts float free. Or I can try to notice details that might escape me: the watercolor brush of colored leaves on the lake’s surface; the leaves slowly somersaulting to the ground, the little island with its air of sanctuary, the cross-section of shoe prints in the dirt trail, the half shorn tree hinting at the season’s progress.
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Enjoy the beauty of fall in Black Mountain–and purvey it along!

A Swarm of Trees: “Till the Wood of Birnam Rise”

The folks at Photo 101 are forcing me to get creative with my camera. Photograph a “swarm” in late November? An old poem about swarming mentions only the months of May, June, and July:

A swarm of bees in May is worth a load of hay;

A swarm of bees in June is worth a silver spoon;

A swarm of bees in July isn’t worth a fly.

I might add, “A swarm of trees in November is worth a photo.” Looking along the Blue Ridge Parkway for “something that overruns your scene,” I was forcibly struck by the bare trees seeming to march towards me, line upon line of bark-clad soldiers with outstretched arms.

Encroaching trees (Coolpix L320)

Parkway trees prepare for attack! (Coolpix L320)

Parkway trees prepare for attack! (Coolpix L320)

Was it looking through the narrowed view of my camera that made the trees appear to move? Trees without leaves seem threatening, somehow — although trees with leaves can be hostile, like the apple trees in The Wizard of Oz. But bare-branched trees, thronged against the sky, create an eerie effect:

Trees on the Blue Ridge Parkway

After I posted this photo, my brother made it into avideo of swarming trees for a joke — I think it was a joke? While not high quality, the video is unnerving. (Panasonic Lumix)

As I sought “swarming” trees to photograph, I began to think about literary examples of trees that moved. The most famous instance of moving trees occurs in William Shakespeare’s Macbeth. The witches hint that a moving forest will precede Macbeth’s defeat: “Macbeth shall never vanquish’d be until / Great Birnam Wood to high Dunsinane Hill / Shall come against him” (4.1.91-93).

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Panasonic Lumix photo, edited in PicMonkey

Confidently, Macbeth asserts:

That will never be:

Who can impress the forest, bid the tree

Unfix his earthbound root? Sweet bodements, good.

Rebellious dead, rise never till the wood

Of Birnam rise, and our high-plac’d Macbeth

Shall live the lease of nature, pay his breath

To time and mortal custom. (4.1.93-99)

Macbeth’s arrogant optimism is ill-founded. In Act 5, soldiers camouflage themselves with tree branches cut from Birnam Wood as they march on Dunsinane Hill, creating the illusion of “a moving grove” (5.5.37). The “forest” that advances on Dunsinane is, in reality, an army of men who overwhelm the castle and force Macbeth’s downfall at the hands of Macduff.

In J. R. R. Tolkien’s Middle-earth, Treebeard leads an enormous army of bonafide trees to the Battle of the Hornburg. This time, the trees can walk — vengeful Ents and Huorns, who uproot themselves to aid the desperate men of Rohan at Helm’s Deep:

The land had changed. Where before the green dale had lain, its grassy slopes lapping the ever-mounting hills, there now a forest loomed. Great trees, bare and silent, stood, rank on rank, with tangled bough and hoary head; their twisted roots were buried in the long green grass. Darkness was under them. (J. R. R. Tolkien, The Two Towers)

Haw Creek Valley Overlook (Panasonic Lumix)

Aroused, Tolkien’s Ents and Huorns decimate the terrified Orcs at Helm’s Deep. The next morning, the mysterious forest of Huorns has vanished, leaving instead an enormous mound of dead Orcs.

A moving forest does not have to be fantastical to cause destruction. In Edith Nesbit’s The Railway Children,  trees suddenly begin swarming down a rural hillside toward the railroad tracks. Had it not been for the quick thinking of Bobbie, Peter, and Phyllis, the landslide might have caused a tragic railway accident:

And, as Peter pointed, the tree was moving — not just the way trees ought to move when the wind blows through them, but all in one piece, as though it were a live creature and were walking down the side of the cutting.

“It’s moving!” cried Bobbie. “Oh, look! and so are the others. It’s like the woods in Macbeth.”

“It’s magic,” said Phyllis, breathlessly. “I always knew the railroad was enchanted.”

It really did seem a little like magic. For all the trees for about twenty yards of the opposite bank seemed to be walking slowly down towards the railway line, the tree with the gray leaves bringing up the rear like some old shepherd driving a flock of green sheep. (Edith Nesbit, The Railway Children)

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Panasonic Lumix photo

In western North Carolina, incidents of trees that suddenly begin to move are rare, although there are occasional rock slides along I-40 heading west. While I am being fanciful with the idea of trees that swarm, landslides and mudslides are a real danger in mountainside communities not far from my home. An actual swarm of trees, caused by erosion or earthquake, would be terrifying.

I have made much of the oppressive character of bare trees on a bleak day, but I like to walk in the woods in late fall and winter. Stripped of leaves, the hardwood trees reveal their clean lines and rough texture. Depending on the time of day and the light, row upon row of leafless trees can create a soothing effect. This cluster of trees suggests not a restless swarm but a graceful gathering of grey-clad Quakers.

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Panasonic Lumix


Photos taken November 2014 by Sandra Fleming with a Nikon Coolpix L320 and  a Panasonic Lumix. Text and photos copyrighted by Sandra Fleming © 2014.